Author

Gregory Eddi Jones

lone hunter is a book and series of photographs. The corresponding images and text teeter between fact and fiction, creating a non-linear narrative. The selection of images when shown independently as a book or series, represents two different narratives that question the chronology of time and how we navigate memory, what we choose to keep and what we let go of, and how memories are manufactured…

Barry W. Hughes’ NEOP series has been ongoing since 2013 and represents an open-ended exploration of photography’s capacity to register our scientific and cultural relationship to outer space. The varying visual strategies that make up Hughes’ ongoing collection of photographs utilize staged fictions, still life constructions, and facsimiles as stand-ins for…

The boldest, most challenging, and most socially relevant works at the fair were all produced by women. It was refreshing to see that contemporary dealers are closing the gap of representation equality, and that talent is surpassing maleness as the definitive criteria for contemporary gallery rosters.

For nearly five years, Peruvian-born, Seattle-based artist Rafael Soldi has transformed loss and uncertainty into a profound, sometimes abstract photography series Life Stand Still Here. It branched from an earlier project based on a sudden breakup and evolved into a murky succession of images that connect Soldi’s deeply personal moments with grander, more universal struggles. Using a range of techniques including still life, abstraction, and a large-scale grid of photobooth portraits, Soldi asks viewers to consider the connection between his experiences and their own. 

The analog color darkroom is a magical place where a pitch-black environment allows only the vision of the mind’s eye. Without the use of a camera, I build my own negatives and paint with light. Transparent shapes are cut out with scissors and layered on top of glass.

I first encountered Paul Mpagi Sepuya’s work when I walked into his 2017 solo exhibition at Yancey Richardson Gallery in New York City.  I didn’t so much view his pictures as I did stare at them, trying to reconcile the spatial constructions, to untangle the delicate knots of reference and self-reference, seeking to decode anonymous flesh of male forms, and trying to figure out where any given picture starts or ends;

I imagine Geeting as a kindergartner willfully coloring outside the lines, scribbling with glee, delighting in breaking the rules and not giving a F. In an image-saturated world that is burdened with homogeneity, with photographers getting A’s for adhering to conventions, or even bending them mildly, Geeting does the wrong things in all the right ways. 

Ben Alper’s A Series of Occurrences portrays situations whose causations are mysterious and whose futures are unknown. The pictures seem like fragments; the narrative a chain of islands bound together by proximity but containing unique presence unto themselves. The book’s well realized sequence provides easy transit from one to the next.

On November 7, 2017, South Korean President Moon Jae-in extended a “heartfelt welcome” towards US President Donald Trump as he arrived in South Korea for a two-day summit to reaffirm the Korea-US alliance. However, his stay did not pass without criticism. Labeling the US president a warmonger, the “No Trump Joint Action Task Force” organized rallies against his visit. Made up of 220 left-wing political parties, civic groups, labor unions and student groups, the association claimed his impulsive remarks towards North Korea heightened military tensions on the peninsula.