In Josh Poehlein ’s series, Modern History, we see both re-enactments and fabrications of historical events made by compositing together imagery from YouTube videos. His scenes raise many ideas about history, mythologism, and the vast amount of digital data we…
Asger Carlsen ’s documentary-like images create an uncanny vision of the grotesque. What I find interesting about them is the sculptural quality lent to his subjects, as well as the sparse and un-kept environments they’re photographed in. The tension between his realist style of his photographs and their un-real subject matter creates a seamless platform from which we can ruminate over our own physical mortality.
Armed with an iphone and an imagination, Karen Divine creates surrealistic scenes crafted through photographs and illustration. She brings to life a world of color, symbolism, and imagination that are often reflections of her own personal experiences.
What strikes me most about Jackson Patterson’s images is his method of creating narrative by presenting two disparate pictures as a single image. Each of his images display a duality of visual and cerebral dimensions…
I came across Johan’s work back in March, and decided to interview him long before In the In-Between was off the ground. His series, Off, goes straight to the heart of digital theory and I felt it was a perfect example to set the foundations of what In-B is all about. So without further ado…
“Working with this material is a bit like an archeological dig, a slow shift that mirrors my own waking up. It’s partly nostalgia, mixed with a twist of horror. I want to trace that shift in how we were depicted, what messages were encoded…